- Bottle of bubbles
- Paper lanterns
- Matches
- Hot chocolate
- Pop Corn
- Picture frame ( with picture of couple)
- Book - PS I love you
- Cameras
- Car
- Ice-cream
- Flowers
Tuesday, 3 September 2013
Prop List
Narrative Theories
Our music video surounds a couple, who are the only characters that feature throughout, rather than a protagonist and antagonist. This challenges Propp's theory of character types as the two main characters oppose this completely. Rather than following narrative of the 'hero' being presented as having a challenge to overcome we have chosen to present our protagonist as being weak and vulnerable having experienced loss. Our male protagonist challenges stereotypes because he is the one who becomes physically weaker and dependent on the female protagonist, opposing the assumed masculinity of the male gender. The results of our audience survey showed that Todorov's equilibrium/disequilibrium/equilibrium narrative structure was not as popular as a non-linear format. We have chosen to use a circular narrative structure, beginning at the end/climax of the story, that proceeds to take the audience through past events - following a non-linear structure - before returning back to the end. Our audience thought that this provided the narrative with more depth and therefore more appealing to watch.
Within our storyboard, scenes 8 to 10 we have chosen to use action codes, according to Barthe's codes theory. Here we will present action to convey something the audience knows and doesn't need explaining with dialogue eg. our male protagonist waking abruptly and being driven to hospital conveying to the audience that he is severely ill.
At the beginning of the music video we plan to make use of enigma code, by witholding information from the audience to create intrigue. We do this by not revealing what has happened to our male protagonist until the end of the video. This was something our audience thought was an important factor in the success of a music video - an original and intriguing story line that conveys a deeper meaning was more popular than a stereotypical romance story.
Action Plan
Monday, 2 September 2013
Action Plan For Week 3
Monday (02/09/13):
- Complete final draft of story board
- Edit the voice recordings of the first draft of the story board and upload to YouTube.
Tuesday (03/09/13)
- Take a picture of final story board and upload to blogs
- Complete full analysis of the story board, including any improvements and theories relevant
Wednesday (04/09/13)
- Interview target audience to retrieve feedback on final story board
- Begin a detailed shot plan
Thursday (05/0913)
- Complete shot plan
- Begin a character profile of the two main protagonist including costumes
Friday (06/09/13)
- Finish character profile
- Upload everything onto the blogs
Thursday, 29 August 2013
Gabrielle Aplin Cover Artwork Analysis
What makes this single artwork so significant is the location of the image - the artist is standing in a forest that is not featured at all in the song 'Panic Chord' or the music video that accompanies it and was clearly chosen because it is striking rather than relevance to the single. In regards to mise-en-scene her clothing is intriguing as she looks out of place against her green surroundings wearing nothing but a over-sized red jumper. The artist is clutching a large, bright yellow helium balloon that is out of place, but draws attention at a glance - though this could symbolise a recurring theme of changing and happiness in her music.
The use of natural, bright lighting is consistent with the style of her music videos - and a slightly grainy vintage filter has been placed over the artwork. The white font is simple and stands out against the cover artwork, making it easy to read.
The entire cover is very desaturated, making the brightly cloloured umbrella the artist is holding stand out. This album cover resembles the artwork for her single 'Panic Chord' in that the artist stands alone, barefoot, against a very natural, almost surreal background clutching a brightly coloured object above her head. However, the umbrella in this image is a clear link to the title of her album ' English Rain'. The same font is used for the artist's name and album title as in her previous cover, maintaining a house style that makes her work recognisable to her audience.
Application of Uses and Gratification Theory
- Information
- finding out about relevant events and conditions in immediate surroundings, society and the world
- seeking advice on practical matters or opinion and decision choices
- satisfying curiosity and general interest
- learning; self-education
- gaining a sense of security through knowledgePersonal Identity
- finding reinforcement for personal values
- finding models of behaviour
- identifying with valued other (in the media)
- gaining insight into one's selfIntegration and Social Interaction
- gaining insight into circumstances of others; social empathy
- identifying with others and gaining a sense of belonging
- finding a basis for conversation and social interaction
- having a substitute for real-life companionship
- helping to carry out social roles
- enabling one to connect with family, friends and societyEntertainment
- escaping, or being diverted, from problems
- relaxing
- getting intrinsic cultural or aesthetic enjoyment
- filling time
- emotional release
- sexual arousal
Audience members are likely to watch our music video generally for personal identity and entertainment purposes. Whereas audiences are likely to watch Miley Cyrus' video for her new no. 1 'Can't Stop' because it is a topic that is currently talked about within the media because of how controversial it is and the varied responses it has gained, most people will have watched this video because everyone is talking about it and therefore it meets their social interaction needs. Our music video is focused on the emotional narrative which, because of the sensitive topic, will allow audience members to find reinforcement for personal values, provides emotional release, escaping their own problems and gaining insight into one's self. The narrative centers around a relationship - which is something the audience will be familiar with and therefore allows them to relate to.
Analysis of 'What to expect when you're expecting' clip
This scene evokes emotion from the audience almost immediately with the combination of the slow minor chords and establishing straight away that something is wrong by showing a clock with the time 1:47. The audience knows that something bad is about to happen - as the characters wake abruptly in the middle of the night. This then fades to shots that have been slowed down of the male character helping his girlfriend out the house and down the stairs to the car - which portrays her as weak and vulnerable.
The camera focuses on her face in a close up shot to show the audience her sadness and fear, as they drive through empty streets in the middle of the night. The street lights that flicker across the shots as they drive in the dark contribute to the emotional atmosphere - casting different shadows across the character's faces. The transitions between each scene are gradual fades and everything has been slowed down - an automatic indicator that something dramatic is happening. This makes the scene of the female protagonist crying even more emotional and heartbreaking for the audience.
As they drive back home, rain lashes down on the windscreen. Here the weather and lighting reflect the tone of the scene, which has become sad and miserable.
We have decided that this clip uses effective methods to convey what is happening without the need for dialogue, which is useful for shooting a similar scene in our own music video. We intend to adapt the shot of the clock, panning to the couple in bed so that our male protagonist is the one to sit up in the middle of the night, clutching his side in pain. His girlfriend will then help him to the car as she drives them to the hospital. We then plan to cut to a scene in a doctors office where their reactions to the doctor's words indicate that they have received bad news. We intend to use gradual fades to transition these scenes, and slow the pace of the video down to further show the change in atmosphere.
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